Getting Ready for a Wildlife Photography Trip to Long Island

Written by Riley Mitchell

Wildlife photography is often interchanged with nature photography. However, a recent study clarified that wildlife photography is specific to plants and animals that are unrestrained.

Currently, there are numerous photographers who've cultivated a deep interest in Long Island wildlife. In our previous guide on wildlife photography, Garett Camasi, a Long Island-based zoologist and photographer, relayed that the area is populated by over 400 different bird species, making it a popular spot for wildlife photographers. Conservation efforts and the ocean and pine barrens promote a balanced ecosystem in the area, resulting in a wide variety of amphibian, flora, marine, and land species thriving in Long Island.

Below, we’ve created a guide to prepare you for your photography trip:

Understanding month-specific weather conditions

Before heading to Long Island, you should first check the weather conditions. Typically, June has the highest relative humidity at 76.33%. February has the lowest humidity at 66.6%. Generally, your camera and lenses are most sensitive to humidity levels that are 70% and above. If exposed to moisture, fungal spores can grow on your lenses. As such, we suggest shooting during February. But you could also visit Long Island during the summer since many pelagic birds, such as the Trindade Petrel, are prevalent at this time. If you’re set on a summer photography trip, carry silica gel packets. You can keep them in your camera storage to absorb water and moisture from humidity. One caveat is that you recharge the pouches often to prevent excess moisture from seeping out.

Photo Credit: Rich Nardo

Packing the right camera and storage

Whether you’re interested in stationary plant life or fast-moving wild animals, it’s important to have a reliable camera. We recommend carrying one of the best cameras available to you if you’re really serious about wildlife photography, like the Canon EOS R7. It features robust In-Body Image Stabilization, so you can easily catch the bustle of Long Island's skittish birds, including mergansers. On the other hand, cameras like the Fujifilm GFX 100S have a high dynamic range which is crucial if you prioritize rich shadow details. This enables you to take vivid shots of amphibians like the Eastern Tiger or Red-Spotted Newts. Once you have your camera, you’ll also need a sturdy body bag that can protect it from Long Island’s elements and store your extra batteries. Wandrd’s Roam Sling, in particular, is suitable for a full day of shooting wildlife. Aside from its built-in camera tube with removable dividers, it’s also made with weather-resistant materials. With the stow-away lockdown strap, you can easily (and comfortably) traverse through the woods or coastline of Long Island.

Photo Credit: Rich Nardo

Shooting bird species versus land-based creatures

In our referenced guide, Adrianna DeVillacian stressed that photographers must exercise patience when waiting on land-based creatures. Long Island has a wide variety of deer and foxes in its woods. However, it can take time for these animals to be comfortable around you. One tip DeVillacian shared is to sit quietly in the outer brush. Eventually, you’ll come across your favorite animal. In terms of shooting bird species, Garett Camasi explained the importance of preventing motion blur. While this goes without saying for any wildlife, it’s increasingly relevant if you want to capture birds. For birds in flight, you should switch to a shutter speed of at least 1/1600 or 1/2000. As much as you can, capture the birds flying up-wind. You’ll have more time to take pictures when the wind slows down their movement.

Photo Credit: Rich Nardo

Adopting different approaches to wildlife photography

The most straightforward approach to wildlife photography is to point and shoot your camera. However, in our previous post, JR Aurature discussed the necessity of long telephoto lenses. Recently, there’s been a trend of crisp and up-close photos. However, animals are reactive; there has to be a distance between you and your subject. With long telephoto lenses, you can achieve your desired shots in Long Island without worrying about scaring off animals like the American Bald Eagle. Ideally, your lens should shoot at least 500mm to 600mm. If you want, teleconverters can expand the area covered by your lens. It’s also helpful if you utilize your surroundings. Climbing a tree can provide you with an elevated viewpoint of river otters.

Long Island is the perfect backdrop for wildlife photography. Come prepared and do your due research to make the most of your trip.

Photo Credit: Rich Nardo